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HK has your high school and college dance resources


Human Kinetics would like to introduce two dance texts that will help take your students through the transformation from dance beginner, to dance artist. For the novice dancer, A Sense of Dance: Exploring Your Movement Potential, Second Edition will help students discover that dance is an accessible art form that will increase their self-awareness and self-confidence. An interactive and thorough text, A Sense of Dance: Exploring Your Movement Potential, Second Edition is the perfect way to invite students to learn more about dance through everyday experiences, personal observations, and guided experiences.

For the more experienced dance student, Experiencing Dance: From Student to Dance Artist shares valuable information that walks your students through the process of becoming well-rounded dancers and deepens their understanding of dance as an art form. Placing teachers in the role of facilitators, Experiencing Dance: From Student to Dance Artist, provides a complete curriculum progression that will instill in your students a fresh, new appreciation of dance. Below is an excerpt from this student text.

Please take this opportunity to learn more about these valuable resources by clicking on the links to the right or visiting the Dance section of our Web site.


Lesson 10.1 Costumes and Props

from Experiencing Dance by Helene Scheff

Move It!

Costumes and props can do more than just enhance a dance. They can also inspire movement and style. Choose a costume piece or a prop. Improvise and explore movement that is inspired by the costume piece or prop. Arrange this movement into a dance composition or study. Share it with the class. (If your teacher gives you a rubric, make sure you refer to it as you work on your dance composition or study.)

Vocabulary

on the bias • tutu

Curtain Up

Think about dressing up your dance. What can you do to enhance your work? What do you have to know to work toward a complete production?

Costumes

As a choreographer producing a dance work, part of your job is to think about costumes. You may never have sewn a button on a shirt, let alone put a garment of any kind together, but think positively and keep it simple. For a dance without a story, you can select a color theme for your dancers. Ask the dancers to supply usable clothing in the necessary colors. Let’s say you are staging a dance or dances about the ocean and the tides. The dancers can wear shades of blue and green with a bit of white (for the foam). If you are also representing the tides, you can use shades of color appropriate for the sun and the moon. They can wear leotards and tights, if available. They can wear T-shirts with shorts, sweat pants, or fl owing skirts. They can be wrapped in flowing cloth. Never doubt the versatility of fabric glue and paper and plastic, especially if it is a one-time performance.

If you are on an even tighter budget, you can look in any resale shop to fi nd anything from skirts and shirts to pants and jackets. Remember, from a distance, the audience to the stage, the look is very different than from up close. You don’t have to worry about a few worn spots or other such problems. Tiny blemishes won’t spoil the illusion.
In some areas, local dance or theater companies might have a borrowing policy in which they let you borrow or rent (for a nominal fee) their costumes, provided you promise to return them in good shape and cleaned. They might even enter into an agreement in which you would donate internship hours in lieu of a rental fee. You could credit them in your program or print a notice about their next presentations (McGreevy-Nichols et al. 2001).

Props

The use of props can add a further dimension to your piece and can sometimes help reduce costume and scenery costs. Your imagination and creativity are your limit. For any flashy tune like "Puttin’ On the Ritz," you can make canes by getting wide wooden dowels and painting their tops shiny white and their bottoms shiny black. For "Masquerade" from Phantom of the Opera, you can trim inexpensive, plain party masks with glitter, feathers, gold paint, and mock jewels. "A favorite example from Building Dances involves wearing a tissue box on the head. Several [dancers] wearing this prop could form the yellow brick road in the Wizard of Oz or the Great Wall of China. When you paint them with commonly used colors, you can reuse them" (McGreevy-Nichols et al. 2001, p.32). One man’s trash is another man’s treasure, and that is the key to collecting items as props. You can think of a prop that you want to use and go look for it, or you can find a prop that will inspire your dance. Be sure to look to the art room, art students, and art teachers for ideas and materials (McGreevy-Nichols et al. 2001).

Simple props can also act as moving scenery.
Simple props can also act as moving scenery.


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