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Fielding Drills
Fielding Drills
View a clip from Softball Skills & Drills DVD, by Judi Garman. This is a clip from Softball Skills & Drills DVD by Judi Garman. Fielding Drills
Judi Garman talks about what sets her book apart from other softball books
Judi Garman talks about what sets her book apart from other softball books
Judi Garman is the author of Softball Skills & Drills, Second Edition. Judi Garman talks about what sets her book apart from other softball books
Judi Garman shares how her softball experience can benefit players and coaches
Judi Garman shares how her softball experience can benefit players and coaches
Judi Garman is the author of Softball Skills & Drills, Second Edition. Judi Garman shares how her softball experience can benefit players and coaches
Cone Rolls Drill
View a drill from Softball Skills and Drills. Read more from Softball Skills & Drills by Judi Garman and Michelle Gromacki . This is a drill from Softball Skills & Drills by Judi Garman and Michelle Gromacki.
Running slap gives left-handed batters an advantage
Running slap gives left-handed batters an advantage
A left-handed batter can get a running start before hitting the ball by using the left-side running slap. Both the bat head and the hands are above the ball, and the batter should try to hit the top half of the ball. She hits the ball as the left foot lands on the front line.
Proper footwork key to catching fly balls
Proper footwork key to catching fly balls
Coaches should use the following basic footwork drills every day to help players develop good balance and proper reaction to the ball. Players must also practice reacting to balls hit off the bat, but in these drills, hitting rather than throwing the ball takes a lot of time and creates difficulty placing the ball in the desired location. 2. Inside roll: The tosser points in a direction for the initial drop step and diagonal movement, then tosses the ball to the opposite side, forcing the ...
Mastering the stiff-wrist changeup
Mastering the stiff-wrist changeup
Now she palms the ball, locks the wrist, and pushes the ball. When gripping across the seams, pitchers tend to snap the ball and pull on the seams, thus increasing the speed. If the knuckle grip is being used, the pitcher should grip the ball firmly with the thumb and little finger while placing the first bend (flat fingernail portion) against the ball’s surface (see figure 11.18b).
HK author Judi Fey wins R. Tait McKenzie award for distinguished service
HK author Judi Fey wins R. Tait McKenzie award for distinguished service
The award is given annually for leadership and innovation and service in the field of health, physical education, recreation, and dance. Dance Units for Middle School author Judi Fey received one of the highest honors in her profession when she was given the R. Tait McKenzie Award by the Maryland Association for Health, Physical Education, Recreation, and Dance (MAHPERD). She is the author of the new book Dance Units For Middle School, a guide to scholastic dance instruction for teachers and...
Teaching dance in PE can help academic achievement
Teaching dance in PE can help academic achievement
Conceptualized by physical educators who are also dance trained, this resource offers step-by-step help to middle school physical educators (or other non-dance-trained or certified staff members) charged with teaching middle school dance. Three dance units with ready-to-use lessons are presented: improvisation, dance for athletes, and jazz dance. These lessons walk you through the process of planning and teaching a dance unit step by step, from introducing basic dance and fitness terminology...
Sample Lesson: Warm-Up, Levels, Shadows, and Mirrors
Sample Lesson: Warm-Up, Levels, Shadows, and Mirrors
Devise a way to partner students for the Shadows and Mirrors activity. Slowly show cards, increasing floor numbers until getting to 10. Next show floor 7. Let students fall to floor 7 and then bring students slowly back up to floor 10 again (8, 9, 10). Then show floor 4, and then bring students slowly back up to floor 10 again (5, 6, 7, 8, 9, 10). Next show floor 2, and bring students slowly back up to floor 10 again. If time permits, allow students to improvise a dance in partners or in ...
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